The short, 12 day long Miss Dior exhibition at Grand Palais ends today, an collection of work that reveals the inspiration behind that which Christian Dior created alongside what it has inspired since then. Of the 15 pieces on display in the exhibition inspired by the Dior house and the Miss Dior perfume, 3 were created by American artists inspired by the French fragrance and brand.
Polly Apfelbaum: Rainbow Nirvana Houndstooth
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In my opinion, this may be the most surprising piece in the exhibition, mostly because there is clearly nothing 'French' about it - and is fittingly created by an American artist. The rug itself is woven in a traditional Mexican fashion, with Apfelbaum's classic use of extreme colors. This combination is supposed to represent the audacity of the Dior house, which allies the new with the classical.
Apfelbaum has a history of playing with color, which is almost always the main focus of her floor-bound installations. Her work is viewed like abstract paintings which have melted off the walls and formed vibrant puddles - forming a combination between the vibrancy of a painting and the physical presence of a sculpture.
Karen Kilimnik: Untitled
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This sculpture was inspired by the perfume and the archives of Dior, while simultaneously it works to inspire the viewer to look back on the archives. It dramatizes the consumer society (the perfume) with a sense of
romanticism and lavishness, seemingly inspired in part by Versailles, or at least romantic castles like it, and painted in “Dior
gray.”
Born in Philidelphia in 1955, Kilimnik is both a painter and a sculptor. Her paintings generally focus around celebrities and pop-culture of the sort, while commenting on the subjects glamour or consumerism in a witty fashion.
Alyson Shotz: Infinite Rose
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Made of steel and plexiglas, this sculpture's beauty comes from the fact that it looks different from every perspective as the light hits it differently - making it the infinite rose. The piece was designed by computer with digital grids, then further assembled by hand. Shotz states herself that she loves "that idea of there being no surface, no inside or outside... The observer visually combines all the little parts and when he walks around the sculpture, his eyes and brain assemble these shapes in a different way." In my opinion, this piece also connects even further with the perfume, as Miss
Dior smells differently based on the person who wears it and the sculpture looks different from every different perspective.
Based in Brooklyn, New York Shotz investigates issues of perception and space with sculptures made from a range of synthetic materials such as mirror, glass beads, plastic lenses, thread and steel wire.
I believe each of these American artists has taken an incredibly different spin on each aspect of the perfume and Dior brand to create three entirely different pieces, made with entirely different mediums. One thing I do find interesting is the three being sculptures, which seemingly reveals the trend in the American art world to revolve around them. All in all, the exhibition was surely a success and these pieces absolute highlights of the fifteen.
au revoir,
xx taylor







